Lady with an Ermine - Leonardo da Vinci

Lady with an Ermine - Leonardo da Vinci
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  • Lady with an Ermine - Leonardo da Vinci
  • Lady with an Ermine - Leonardo da Vinci
  • Lady with an Ermine - Leonardo da Vinci
  • Lady with an Ermine - Leonardo da Vinci
  • Lady with an Ermine - Leonardo da Vinci
  • Lady with an Ermine - Leonardo da Vinci

Lady with an Ermine - Leonardo da Vinci

€ 54.00

It’s said that LADY WITH AN ERMINE is proof Leonardo da Vinci could paint fur so lifelike, the ermine itself might start purring if you look too long

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She turns slightly, her gaze moving toward something unseen. The curve of her neck, the careful placement of her hand, the way the light catches her face — everything in LADY WITH AN ERMINE feels intentional, calculated. Leonardo da Vinci painted more than likenesses. He painted "minds" at work, thoughts just beneath the surface, and here, the secrets are held as tightly as the creature in her arms.

The ermine isn’t decoration. It grips her arm with its sharp claws, its sleek body twisting, caught in the same moment of controlled tension as its owner. The woman, identified as Cecilia Gallerani, was the mistress of Ludovico Sforza, Duke of Milan, whose emblem was the ermine. The meaning is clear — she does not just hold the animal, she "wears" it, its symbolism wrapping around her as much as the soft folds of her dress.

Her expression is poised, yet distant. Her lips do not part, her eyes do not meet the viewer. She is not lost in thought, nor does she invite conversation. Instead, she "listens", her attention directed elsewhere, waiting for something — someone. Da Vinci mastered the art of subtlety, of expressions that shift under prolonged observation. This is not a woman frozen in time. This is a woman in motion, her mind moving faster than the stillness of the image suggests.

The light glows against her face, revealing but not exposing. The delicate rendering of her skin, the almost imperceptible shadows under her eyes, the soft strands of hair tucked beneath a translucent veil — every detail is a study in precision. Yet, the true weight of the painting lies in what remains unspoken. The ermine, so often a symbol of purity, is also a creature of power and status. This is not an ordinary pet. This is a statement.

LADY WITH AN ERMINE is more than a portrait. It is a negotiation between identity and image, between reality and symbolism. Da Vinci painted a woman not as she was, but as she "wanted" to be seen — a figure of grace, intelligence, and quiet control, caught in a moment where every glance and every gesture carries meaning beyond what the eye can immediately grasp.

PostersPaintings.com
A000-CNKE-ZHPCV
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